Molière
![Portrait of Molière by [[Pierre Mignard]] ({{ca.|1658}})](https://upload.wikimedia.org/wikipedia/commons/d/d1/Pierre_Mignard_-_Portrait_de_Jean-Baptiste_Poquelin_dit_Moli%C3%A8re_%281622-1673%29_-_Google_Art_Project_%28cropped%29.jpg)
Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy.
Through the patronage of aristocrats including Philippe I, Duke of Orléans—the brother of Louis XIV—Molière procured a command performance before the King at the Louvre. Performing a classic play by Pierre Corneille and a farce of his own, ''The Doctor in Love'', Molière was granted the use of salle du Petit-Bourbon near the Louvre, a spacious room appointed for theatrical performances. Later, he was granted the use of the theatre in the Palais-Royal. In both locations, Molière found success among Parisians with plays such as ''The Affected Ladies'', ''The School for Husbands'', and ''The School for Wives''. This royal favour brought a royal pension to his troupe and the title ''Troupe du Roi'' ("The King's Troupe"). Molière continued as the official author of court entertainments.
Despite the adulation of the court and Parisians, Molière's satires attracted criticism from other circles. For ''Tartuffe's'' impiety, the Catholic Church in France denounced this study of religious hypocrisy, which was followed by a ban by the Parlement, while ''Don Juan'' was withdrawn and never restaged by Molière. His hard work in so many theatrical capacities took its toll on his health and, by 1667, he was forced to take a break from the stage. In 1673, during a production of his final play, ''The Imaginary Invalid'', Molière, who suffered from pulmonary tuberculosis, was seized by a coughing fit and a haemorrhage while playing the hypochondriac Argan; he finished the performance but collapsed again and died a few hours later. Provided by Wikipedia
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Published 1984Paris, Jouvet et Cie., 1984.2 v., front. (portr.) 24 cm. -
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Published 1916Barcelona : Biblioteca Teatro Mundial, 1916.76 p. ; 21 cm. -
3### CRL customization ### ?> ### Add publisher and desc details ### ?>[n.p., n.d.]64 p.
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Published 1690Paris, 1690.120 p. -
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Published 1968[Paris] 1968.48 p. illus. -
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Published 1825[Paris, Veuve Dabo, 1825]p.[329]-403. -
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Published 1817Madrid : Impr. de la que fué de García, 1817.23 p. -
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Published 1927İstanbul : Cihan Matbaası, 1927.64 p. ; 17 cm. -
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Published 1974Stuttgart : Reclam, 1974.76 p. -
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Published 1683[n.p.] 1683.119 p. 13 cm. -
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Published 1825[Paris, Veuve Dabo, 1825]p.[8]-70. -
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Published 1685Paris, 1685.108 p. illus. -
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Published 1904Madrid, Impr. de Fortanet, 1904.85 p. -
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Published 1825[Paris, Veuve Dabo, 1825]p. [78]-124. -
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Published 1858Madrid, Impr. J. Rodríguez, 1858.43 p. -
16### CRL customization ### ?> ### Add publisher and desc details ### ?>Paris : Librairies-imprimeries réunies, [18--?]133 p. : port.
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17### CRL customization ### ?> ### Add publisher and desc details ### ?>[n.p., n.d.]86 p. illus.
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Published 1960Stuttgart : Reclam, 1960.72 p. -
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Published 1926Napoli, Gaspare Casella, 1926.84 p. 20 cm. -
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Published 1905London : Macmillan and Co., 1905116 p.