Don-brgyud-ñi-ma, K. V., & Rdo-rje-ʼod-ʼbar, R. Ź. (1981). ʼJam dpal Gśin rjeʼi gśed khro chu dug gdoṅ gi sgrub pa chen poʼi skabs su ñer mkhoʼi dbyaṅs yig Dbyaṅs can ṅag gi rgyud maṅs: The chanting notations for the performance of the Yamantaka practice Gśin rjeʼi gśed Khro chu Dug gdoṅ nag po revealed by Rgya Źaṅ-khrom. Khampa Gar Monastery.
Chicago Style (17th ed.) CitationDon-brgyud-ñi-ma, Khams-sprul VIII, and Rgya Źaṅ-khrom Rdo-rje-ʼod-ʼbar. ʼJam Dpal Gśin Rjeʼi Gśed Khro Chu Dug Gdoṅ Gi Sgrub Pa Chen Poʼi Skabs Su ñer Mkhoʼi Dbyaṅs Yig Dbyaṅs Can ṅag Gi Rgyud Maṅs: The Chanting Notations for the Performance of the Yamantaka Practice Gśin Rjeʼi Gśed Khro Chu Dug Gdoṅ Nag Po Revealed by Rgya Źaṅ-khrom. Tashi Jong, H.P.: Khampa Gar Monastery, 1981.
MLA (8th ed.) CitationDon-brgyud-ñi-ma, Khams-sprul VIII, and Rgya Źaṅ-khrom Rdo-rje-ʼod-ʼbar. ʼJam Dpal Gśin Rjeʼi Gśed Khro Chu Dug Gdoṅ Gi Sgrub Pa Chen Poʼi Skabs Su ñer Mkhoʼi Dbyaṅs Yig Dbyaṅs Can ṅag Gi Rgyud Maṅs: The Chanting Notations for the Performance of the Yamantaka Practice Gśin Rjeʼi Gśed Khro Chu Dug Gdoṅ Nag Po Revealed by Rgya Źaṅ-khrom. Khampa Gar Monastery, 1981.